Tag Archives: poetry

Building community here and abroad: Pearl attends the last SLOWest monthly coffeehouse

17 Apr

Part of the crowd during SLOWest's last monthly coffeehouse (Photo credit: Brian Pirie)

Pearl Pirie is an Ottawa arts enthusiast. Her last poetry collection was Thirsts from Snare Books (2011). She coordinates the Tree Seed Workshop Series, the second and fourth night of each month at the Arts Court, 6:45-7:45. It is a free drop-in space provided with the Tree Reading Series for people to explore poetry.

This past Saturday night marked the last of SLOWest’s monthly coffeehouses with us after 2 years of bringing musicians, artists, a choir and poets. It brought a good turnout of around 20 which filled the back corner of Bridgehead, with a few snagged from the coffee shop who were leaning and listening in at the side, now and then. 

SLOWest — which is short for Sustainable Living Ottawa West — will continue other sustainability/community-building activities, including The Great River Project on April 19 (with Ottawa Riverkeeper Meredith Brown,who did a summer-long expedition that traveled 900 kilometres of the 1,271 kilometers of the Ottawa River), a Community garden gathering May 3 and a guided cycling tour of solar panel installations on May 12.

Tom Lips, Karen Second, Pearl Pirie

During the evening, Karen Second gave a description of what she saw and experienced while seeing stoves being installed in Guatemala as part of the Guatemala Stove Project — the happiness and pride of a Maya woman setting up the stove in her home. Second, a freelance writer, has an article on Tom Clarke, who started the project, coming up in the May edition of 55-Plus. Clarke has seen both a Perth and Ottawa branch of the project established. Since 1999, the Guatemala Stove Project has seen about 4,000 stoves built, including two through the efforts of SLOWest’s own group. But more on that later.

The reading evening started with some poetry by Montreal-area’s Czandra, who played in sound and interstitial spaces before reading a tan renga with Grant Savage. Shai Ben-Shalom put on his poet hat (literally, although those photo turned out blurry) and brought us some witty poems of cats and men and the holy grounds of the body. Over the break, John DeMers, who just came to listen, was volunteered to get his guitar from his car and play us some musical interludes.

Czandra, Marilyn Irwin, John DeMers

People from various directions of community got a chance to chat before we came back with coffee or treats and heard some excerpts from Czandra’s chapbook, In Air/Air Out. Poems of rob mclennan, Kevin Spenst and Danielle Susi were read by Marilyn Irwin. Jorge Etcheverry read from some work in English, and then, to give a taste of the language, he read a poem of his in Spanish as well. So much of language is intonation and in the body. We forget that when we only listen to English when we think we can understand every word.

Following him, Monty Reid read from Flat Land, a series of poems from La Gunilla, Mexico, where he was working on development projects, watching the people move stone with homemade shovels:

“the women/who built the road, who left their flesh in the ditches, who/insisted then that to walk is to remember”.

He recounted watching kids at an orphanage play baseball where it was a kind of collaborative agreement on what all the plays were:

“Every pitch is invented. There is no equipment, no ump, no one keeps/ the stats. Here everybody hits.”

In Guatemala, it’s a similar scene. The sixty percent of Guatemalans who are members of indigenous Mayan groups own only six percent of the land. Most live on less than $2 a day. Basic resources, such as health care, electricity and potable water are extremely scarce in the highlands, where the majority of the Maya live. The Guatemala Stove Project was started by Tom Clarke in 1999 to address some of the gap. The stoves burn wood more efficiently than open fires, freeing time for looking for wood and/or freeing money towards other uses. They make a safe cooking surface with kids running around. Each stove, costing $225 CDN, increases life expectancy of the women who cooks by 15 years, allowing the (average) family of five to get more healthy hands continuing to work without breathing smoke and without living in creosote covered walls.

Monty Reid, Shai Ben-Shalom, Jorge Etcheverry

As a sort of sweat-equity in the project, those receiving stoves are trained and assisted as masons and are given materials to add these cinder-block stoves and chimneys to their homes. A simple step but it leverages the communities and lives forward. In fact, after this past weekend, we have now tipped the third stove — enabled through local poetry! Thanks to everyone who put us over the edge, including this project of  In Air/Air Out chapbooks, the reading on the weekend, SLOWest passing the hat (as well as giving all their donations), book sales of the evening donated by Jorge Etcheverry and Monty Reid, the sale of chapbooks, and a couple donors who topped up the total.

Here’s the whole group who were part of that last reading at SLOWest Coffeehouse: those who were the planned readers, organizers of SLOWest, and people who got roped in by coming to either read or play music. (Back row, L-R) Monty Reid, Jorge Etcheverry, John DeMers, Shai Ben-Shalom, Grant Savage, Tom Lips (Front Row, L-R) Czanda, Pearl Pirie, Marilyn Irwin and Donna Colterman.

The whole gang

Thanks for sharing this memorable night, Pearl! SLOWest and the Guatemala Stove Project are both great ways to get involved with the local community.

Sustainable living: Pearl explains why SLOWest is best

17 Jan

Pearl Pirie is a local arts enthusiast who blogs about the city’s literary events in both word and image. Her most recent poetry collection came out last year. Thirsts (Snare, 2011) launches at Tree on Jan. 24. She will be one of the readers at versefest.ca in March.

Alise Marlane was the feature performer at this month's SLOWest

Alise Marlane was the feature this month at 1277 Wellington St. She sang her own compositions from Wakefield theatre productions and her album, Room for Less, talking about living more and having less. She also sang in French about uniting despite different political positions. She did Pete Seeger covers on her mandolin and guitars. For a couple pieces, a bit of guest starring happened with some harmonicas.

It was a cozy atmosphere and good music. A hat was passed.

How did the event come to be? The SLOWest is a group organized to create a space for meeting minds on ways to build a sustainable community, specifically Sustainable Living in Ottawa West (SLOWest). The group has an events listing of Local Music, Dance, Storytelling, Art.

For those pining for planting season, there’s a gardening talk on January 22. They’re gearing up for partnership with the RightBike.org bike-sharing program. Their January newsletter lists some of the green ideas they have cooking and other collaborations underway.

Tony Turner plays a harmonica at the last SLOWest

The next Coffeehouse will be February 11 with poets Blaine Marchand and Miche Kohler. The evening of March 10 will be a Coffeehouse with singers/storytellers Gail Anglin and Neville Miller.

April 14 will be a night of poetry with a spring launch of a chapbook entitled: In Air/Air Out: 21 Poets for the Guatemala Stove Project. The proceeds all go to the charity of clean air through the Guatemala Stove Project which has a Perth chapter and an Ottawa chapter. They have been building stoves with the Maya people since 1999. This poetry for air project so far has built stoves for two households.

Luminita Suse performs at Bywords Warms the Night for the Cornerstone Women's Shelter

Luminita Suse (right) is one of the poets in the chapbook. The photo was taken at the January 15′s ByWords Warms the Night:, the ninth annual ByWords fundraiser for the Cornerstone Women’s Shelter. It is fabulous when art and poetry and the community can come together to do social good locally or internationally.

A spring launch of the chapbook will happen this Thursday evening, January 19 across the street from Bridgehead at Collected Works. Allison Armstrong, Amanda EarlMike Montreuil, Luminita Suse and rob mclennan will be the readers in this round.

Thanks, Pearl! Be sure to check out the chapbook launch this Thursday!

A taste of TEDxOttawa: Spoken word from Brandon Wint

22 Oct

TEDxOttawa took place on October 22, 2011 at Algonquin College

Jessey is a writer, digital communications strategist, and the founder of Local Tourist Ottawa.

As you may know, I’m a huge fan of many of Ottawa’s spoken word poets.   So of course, it was a delight to see the talented and very heartfelt Brandon Wint take the stage at TEDxOttawa today.

Before the “official” videos come out in the coming weeks (looking forward to re-watching Steve St. Pierre, as well as Dr. Jim Davies) and all the bloggers start posting their reviews, I thought I’d give you a taste of one of my favourite TEDxOttawa moments:

It was great to meet everyone today, and thanks so much to the TEDx organizers for inviting me to attend.

More to come!

Capital Slam 2011 Finals

13 Jun

Jessey is a writer, digital communications strategist, and the founder of Local Tourist Ottawa.

I’m not sure that when people think of the Nation’s Capital, they often think of poetry.

Well, they should. In 2010, Ottawa won its second-consecutive national slam poetry title, and on Friday night the city’s 2011 team was decided. If the passion-filled show these inspirational poets put on was any indication, their competitors sure have a challenge ahead.

Ottawa’s 2011 slam team is:

1. Sense-Say
2. Loh El
3. Bruce Narbaitz
4. Sean O’Gorman
5. PrufRock 

The city’s 2011 champion was Sense-Say – and he really blew the audience away.

Check it:

Rusty Priske was one of my favourite poets of the night. Unfortunately he didn’t make the team this year, but I absolutely loved his performance.

I also really enjoyed Poetic Speed, who wasn’t in the running for the evening but instead acted as the “Sacrificial Poet” – a performance to set the barometer of the randomly selected judges.

All of the poets were amazing, and I was really inspired by the bravery in all of them to stand up on that stage and bare their souls so beautifully.

Trust me, the quality of the videos above and any of the other clips you’ll find online do not do their performances justice, so please do watch for the Capital Slam 2011 CD that will be released soon – and get out to Ottawa’s local slam events!

Capital Slam is the second longest running slam series in Canada, and every year from September to June local poets compete to win their chance to represent the city at the Canadian Festival of Spoken Word. To learn more about Capital Slam, visit www.capitalslam.com. 

‘Poetry can be all around you’: Kathryn Hunt recounts sharing random acts of poetry

3 Jun

Photo Credit: Brian Pirie

Kathryn Hunt  is a displaced Maritimer who first arrived in Ottawa 15 years ago. A published poet and freelance writer, Kate blogs, performs and talks the city’s budding literary scene at every opportunity! She also enjoys cycling and rock-climbing in her spare time.

A volunteer at the Arc Poetry table during ArtsPark

Last weekend I spent a day helping to man the Arc Poetry Magazine table at ArtsPark in the Parkdale Market in Hintonburg. ArtsPark has been running since 2004, helping to boost and celebrate the burgeoning arts district that Hintonburg has become, but this is the first time I’ve been able to go. (I used to live in Hintonburg, but it was a rather sketchier part of the city back then…)

When I arrived at the Parkdale Market it was a misty day — not quite raining. But that didn’t seem to have affected the crowds, who were already milling around the stands, sipping local coffee and munching local snacks. I locked my bike up to one of the (many) bike racks, and headed in to the collection of tables, stands and canopies in search of the Arc table. I found it just inside the park, under one of the permanent canopies, next to the ArtsPark information table. It was already staffed by a cluster of poets, some of whom had been wandering around the park performing ‘random acts of poetry’: stopping passersby and offering to read them a poem from a collection of chapbooks and small press publications.

Photo Credit: Brian Pirie

We had a ‘poetry factory’ set up: two metal boards covered in magnetic words, so that anyone passing could spend a few moments moving words around and creating a poem. Anyone who created a poem would get a chance to draw for a prize – a free copy of Arc, or even a year’s subscription. There was also a typewriter , which drew a lot of attention, where volunteer poets would, for a dollar or two, compose a poem on the spot for passersby.

It’s kind of amazing that there are some people who, when you ask them, “Hey, would you like a poem?” look at you in suspicion, mumble something like, “No thanks,” and sidle away as though you just offered them –- oh, I don’t know, a political tract or a credit card application. But it’s also amazing that there are people who when you offer them a poem written, on the spot, just for them, light up. “Really? You’ll write me a poem?”

Kids stop by the Arc Poetry table

People asked for poems for their children — often poems for infants in arms who won’t be able to read the poems for years. (By which time these poems will probably all be recycling: One of the interesting thing about the whole poetry factory idea, for me, is that all the poems are ephemeral. They’re not high art, they’re not going to last forever. This was a celebration of the fact that poetry can be all around you, and it can be just for fun, and it can be not meant to last.) They also wanted poems for occasions – there were at least two birthday poems composed, that I saw.

Mayor Jim Watson stops by the Arc Poetry table

The Mayor came by the table, wrote his own magnetic poem,  tossed his toonie into the jar and asked Pearl Pirie, who was manning the typewriter just then, to write a poem about Hintonburg. Others reached into the jar for a random subject (words and phrases cut out of magazines). A young man in a Yasir Naqvi jacket asked for a poem about public service. And inevitably, when they were handed their typewritten sheet with their typo-laden, brand-new poem on it, their faces burst into grins.

Meanwhile, around us there were  kids playing in the still-empty wading pool and on the large orange spheres that are scattered around the new Parkdale Market park, stands selling local crafts and foods, and a stage with alternating musical and spoken word performers. (We were a little too far away to catch every word of the sets by PrufRock, Ian Keteku and John Akpata, but phrases drifted over to us from the stage from time to time.) A unicyclist appeared, juggled for a few moments, attracting a crowd of young children who would run to grab the pins when he dropped them. After a while I spotted him unicycling around the park with a cluster of small children running after him in a stream like the tail of a comet.

Photo Credit: Brian Pirie

We packed up around 5 pm, along with the rest of the fair, and went our separate ways from the Arc table. I didn’t get out to see much of the rest of the festival (although I made a couple of trips to a nearby vendor’s table, where they were serving coffee that tasted, slightly, of cinnamon). But from where I was standing, behind the poetry table, it was a success. The sun even came out for the last hour or so. And I got to spend a day making poetry fun for people. Reminding them that poetry doesn’t have to be deathless, it doesn’t have to be scary or complicated or hard to understand, it isn’t made in isolation or in some strange artistic trance: Poetry can happen anywhere.

Wow! Thanks for sharing! And Kathryn will be performing with her poetry/storytelling troupe, the Kymeras, this Saturday at 8 p.m. in nearby Almonte, at the Old Town Hall.

Sound and furiously good times: Pearl Pirie reviews the AB Series

25 May
TOKYO TAIGA

Koichi Makigami (vocalist, and player of various instruments from Japan), Bolot Bairyshev (traditional Altaic throat singer from Russia) and Massa Sato (percussionist from Japan) make up Tokyo Taiga.

Pearl Pirie is a local arts enthusiast who arrived in Ottawa about 20 years ago for university. She blogs about the city’s literary events — in both word and image.  Her second full-length poetry collection is coming out this fall.

Tokyo Taiga was the guest of the AB Series at the National Arts Centre’s Fourth Stage, May 19, 2011. The AB Series, launched in November 2007, offers some unique international and local performances of international standards. There is music, experimental poetry and lectures.

This performance was unique in its excellence, and in that this Ottawa treat was one of very few North American engagements. The Ottawa gig was before their appearance at the 27th Festival International de Musique Actuelle in Victoriaville, Québec.

star percussionist

Japanese percussionist and guitarist Massa Sato

Each member has an incredible amount of skill. For example, Massa Sato is a Japanese percussionist and guitarist. He plays in his own bands Massa’s Jammer and Creole a massA as well as Hikashu. In addition to his work as a music producer and composer, Masaharu has participated in major international music projects, such as Drumsique in Singapore and JapanFest in Atlanta, U.S. What he was playing in the top photo was a sort of thunder can.

playing horn

‎Koichi Makigami

The musicians moved together like jazz. There was some mix of electronic play and some of the instruments were western traditional and others traditional from other regions. Here ‎Koichi Makigami plays the cornet. He did sound poetry of vocalizing a range of sounds and played various instruments. Bairyshev is playing a topshuur, a traditional stringed instrument. By times he did throat singing. A clip of that is here. It is like our Inuit throat singing in that it uses part of the throat we don’t often use for speech. It’s quite a striking sound. A bunch of fellows after the show were trying to learn how to do it.

at the theramin

Koichi Makigami

Here Koichi Makigami is at the theramin, the only instrument that you play by not touching it, and stop playing by touching it. It was very cool to see this played in person after seeing documentaries on it and hearing it in recordings. (You might know its sound from the Beach Boys’ Wipeout.) Makigami is part of Hikashu, a renowned Japanese underground “avant-pop” band.

Each musician did a solo and combinations of pairs and all of them. It was wholly absorbing and with little runs of joy thru the music. A mix of transcendent and comedy and sustained mood. They played songs back to back without any banter to break up the sounds. 

The next show for The AB Series is international sound poet Jaap Blonk and Playback on May 25.

troupe

Playback: (L-R) Michele Provost, Carmel Purkis, Glenn Nuotio, Christine McNair, Sean Moreland, Grant Wilkins, Stephen Ross Smith and Sandra Ridley.

Playback at their March 2011 engagement. Michele Provost is the visual artist from Gatineau whose work is being responded to with sound. Stephen Ross Smith was a guest poet in town at the last engagement. The rest of the performers are all local poets, musicians and can be found at the literary hotspots.

The March show was a very satisfied and happy crowd to see the absorbing skill of sound timing. It was hard to photograph since for some of the pieces had people moving around the room. It gave a you-had-to-be-there depths of sound and surprise. I look forward to seeing them perform again.

Blonk_5 publicity photo

Blonk

Blonk, a musician for 40 years, has performed all over Europe, as well as in the US, Canada, Indonesia, Japan, South Africa and Latin America. He was in town a few years ago and gave an excellent show of precise and impressive sound gymnastics to a sold out crowd. Catch him in Ottawa on the 25th, or else zip to Toronto as his other engagement in Canada is at the Toronto New School of Writing on the 26th.

Blonk and Playback will the at the NAC’s Fourth Stage on May 25th at 7:30 p.m. You can find more details here!

Poetry and Philanthrophy: Bywords 7th annual Cornerstone fundraiser and spring launch

21 May

Spring edition of Bywords Quarterly Journal

Amanda Earl has published poetry chapbooks with above/ground press and Book Thug. Amanda is also the managing editor of Bywords.ca and the Bywords Quarterly Journal, the angel of AngelHousePress and the curator of Experiment-o.com, an annual journal that celebrates the art of risk. Today she is inviting you to Bywords.ca’s 7th Annual Cornerstone Fundraiser and Spring Launch next Saturday, May 28, at Elgin Street’s Manx Pub.

I’m very excited about our annual fundraiser for Cornerstone. It’s important and it’s going to be a lot of fun.

Here’s a wee bit of info from Cornerstone, which provides emergency shelter and housing for women. With your help, they will provide the following this year:

  • About 500 women will be offered safe emergency shelter and the support to start a new life beyond homelessness;
  • About 200 women will have help to find safe, affordable, permanent housing;
  • About 8,000 meals will be served;
  •  About 100 women will receive support to move beyond addictions to recovery;
  •  About 20 women will receive training in computer and job preparation skills.

Rod Pederson will perform at the BQJ fundraiser (Photo by Pearl Pirie, via Flickr)

In previous years, Bywords has raised $300 to $400 in support of Cornerstone. With your help, we can help Cornerstone. Just think $90 feeds one woman for a month. $50 will provide bus tickets for 25 women to get to doctor and housing appointments. And you will receive a free copy of the spring issue of the Bywords Quarterly Journal with your donation. The spring issue of the BQJ marks its 9th year of publication. 

As managing editor of Bywords, I am thrilled to introduce audiences to the work of emerging poets and to provide opportunities for new and established poets to read and publish their work.

In addition to fantastic music by Jesse Cole — listen here — the event’s poetry readings will give you a chance to hear out of town, emerging and established poets:

  • Emily Falvey is a former Ottawa resident, art curator who worked at the Ottawa Art Gallery and is now an independent curator. Her poetry is very visual and collage like.  This is a rare reading in Ottawa for Emily.
  • Christian McPherson has a new poetry collection out: The sun has forgotten where I live. His poems are humorous and full of everyday life’s conundrums.
  • Rod Pederson is the host of the Tree Reading Series, one of Ottawa’s most beloved poetry reading series and the driving force behind the new annual poetry festival VerseFest. His love of poetry shows in his own writing.
  • Dimitra Xidous is an enthusiast of the duende who writes cosmopolitan and sensual poetry.

The BQJ fundraiser for Cornerstone will be held at The Manx, at 370 Elgin (Photo by Roadtripp, via Flickr)

The Cornerstone Fundraiser is particularly dear to my heart. It is one of two of Bywords community outreach initiatives; the other being the Walk for Life in the fall, in which we raise money and awareness of AIDS/HIV. I believe our role as a long standing part of Ottawa’s community — the original Bywords ran from 1990-2001 via the University of Ottawa  with Seymour Mayne, Gwendolyn Guth and Heather Ferguson — is to be part of the community and support its activities and participate in its well-being.

I hope you will join us on Saturday, May 28 at 5 p.m. at the Manx (370 Elgin Street) for great music, great poetry, great beer and a great cause.

Thanks, Amanda! Looking for more information? You can reach Amanda at amanda@bywords.ca. Or check out the Cornerstone website.

Bridging page vs. stage: VERSeFest brings poetry communities together

19 Mar

All photos are courtesy of Pearl Pirie

Kathryn Hunt  is a displaced Maritimer who first arrived in Ottawa 15 years ago. A published poet and freelance writer, Kate blogs, performs and talks the city’s budding literary scene at every opportunity! She also enjoys cycling and rock-climbing in her spare time.

The closing night party might have summed up VERSeFest almost entirely.

VERSe Ottawa, a new coalition of poetry fans, reading series and slams across the city, just wrapped up its first annual festival, VERSeFest, running from March 8 to 13, and the feeling in the room at Arts Court was celebratory. Actually, it was better than that, it felt like something new, necessary, and long-awaited, had happened.

PrufRock at Capital Slam

Poetry is a strange beast. It’s hard to define, and within the blanket term “poetry” you find a wide variety of styles and artistic opinions. It’s as though you lumped all “music” into one category and then had to compare Lady Gaga to Tuvan throat-singing, Noh opera to Haydn. The term “poetry” takes in everything from hip hop lyrics to sound poetry (which, in turn, crosses over into performance art and experimental music). And at VERSeFest, for the first time, one festival took in the same wide range.

Nathanael Larochette

Sooner or later, you get the impression that poetry is split into two camps. The big divide recently has been “page” versus “stage.” At a broad sweep, “stage” poetry might be characterized as appealing to a younger, louder, “hipper” demographic. Its content is often political, and its style is often influenced by the traditions of hip hop and jazz poetry. “Page” poetry, in contrast, is often stereotyped as being academic, quiet, sometimes difficult to understand at first reading or hearing, It can be very experimental in its use of language and sentence structure, or very formal in meter and structure. Or both. “Page” poets will probably be hawking their latest chapbook, rather than a CD of their work, at the end of their readings.

I am, personally, a poetry omnivore, with a foot in either side. I volunteer regularly at Capital Slam, the city’s oldest competitive spoken word series, and I also used to help with the Dusty Owl Reading Series, which is fairly “page.” My own poetry is page-oriented and I just don’t get up to compete on slam stages. However, I’ve also memorized and performed my work, and the performance group I belong to contains two storytellers, a spoken word artist and me, the page poet.

Local Tourist, Kate, at VERSeFest

Which is why the closing party for VERSeFest was so much fun for me. There used to be a sense of “never the twain shall meet” about the two domains, which was blown away as the room was treated to everything from haiku, to love poems, to rhythmic slam poems, to soft, stark, stripped-away and syntax-busting poems, to a dose of sound poetry. (It involved the audience participating by making “tockatockatocka” sounds for about ten seconds at one point in the poem, interrupted by a building roar/scream from the poet and a few people placed in the audience: a strange stereo experience for those of us sitting in the middle of it.)

It was fun for me — throughout VERSeFest — to watch members of the audience from the “stage” side of things snapping their fingers (a spoken-word tradition) for good lines from the “page” poets. To hear the festival organizer getting choked up as he talked about the new friends he’d made among the “stage” community and the new kinds of poetry he’d discovered. And to start seeing the continuity between the different styles — to hear some of the same tricks of repetition, word play, and imagery happening in much of the poetry being read.

If you thought poetry readings were staid and stodgy, you’d have been astonished at the audiences that sold out the Arts Court Theatre until they were sitting in the aisles for the Urban Legends Slam, rocking the room with cheers for the performers. You’d have been shocked by the burlesque routine that wrapped up the Voices of Venus erotic poetry show, surprised by the audience that rose to their feet after an open mike poet read her impassioned description of the hardships of a homeless shelter, and puzzled at the music floating from the room at the Songwriters’ Circle. And you might also have been mesmerized by long, lyrical pieces, found yourself laughing out loud more than a few times, strained to hear through more than one voice performing simultaneously, and learned to listen very, very carefully as unexpected images rose from the reader’s voice.

The thing is, poetry has a long tradition of being performed aloud for a reason. People come out to poetry readings for a reason — because it’s enjoyable. Poetry and music are akin, and the sound of the language is most of the point of any form of poetry. This inaugural VERSeFest illustrated that handily; I can’t wait to see what they bring to the stage next year.

(Photo credit: Pearl Pirie)

 

VERSeFest’s participating reading series, organizations and slams where you can check out local poetry: Urban Legends Slam, The AB Series, In/Words, blUe mOnday, Dusty Owl, Sasquatch Writers Performance Series, Voices of Venus, Tree Reading Series, Plan 99, KaDo Haiku Ottawa, Factory Reading Series, and Capital Slam.

And if it’s literary, and taking place in Ottawa, it’s probably on the bywords.ca events calendar.

(Photo credit: Pearl Pirie)

 

Thanks for sharing your experience, Kate! And the beautiful photos are courtesy of Pearl Pirie. Do you want to highlight a live performance taking place in Ottawa? Drop us a line.

Nathanael Larochette

Learning to love Ottawa and its literary scene: Welcome to Local Tourist Kathryn Hunt

10 Mar

Kathryn Hunt  is a displaced Maritimer who first arrived in Ottawa 15 years ago. A published poet and freelance writer, Kate blogs, performs and talks the city’s budding literary scene at every opportunity! She also enjoys cycling and rock-climbing in her spare time.

I’ve been living in Ottawa, off and on, for over a decade, having moved here from New Brunswick to go to Carleton University. At the time, a friend who was living off Somerset, in the heart of Chinatown, told me that people either come to Ottawa temporarily or they fall, often unexpectedly, in love with it and stay. She said she hoped I’d turn out, like her, to be in the latter group.

Much, much later, I suppose I have. But it wasn’t until I chose to leave Ottawa, and then chose to return, that I really started to get involved in this city. After university, I moved out of Ottawa to spend a couple of years teaching English in Japan. And when I came back, I came back on the ground floor of a grass-roots literary and arts scene that was just about to blaze into life.

Poetry reading series were starting to make a resurgence; there were independent publishers and zine distribution groups cropping up; I started seeing what was going on in the arts beyond the National Arts Centre and the National Gallery. I found small galleries, small theatres, cafes hosting open mike nights and poetry readings, guerilla sound poetry performances, indie craft and zine fairs, and storytellers gathering in tea houses to trade tales. I started to get to know the people making the photocopied posters that go up all over downtown.

There’s a whole arts world going on that it feels like the rest of Ottawa is just beginning to get to know – but for the people involved in it, it’s bursting with action.

After the first Canadian Spoken WordLympics (now known as the Canadian Festival of Spoken Word) were held here in 2004, the literary scene – which was already rich with established reading series like Tree, Sasquatch, Plan 99 and the Dusty Owl, as well as one of the country’s oldest and biggest literary festivals, the Ottawa International Writers Festival exploded with young, urban, ambitious, passionate poets.

Capital Slam was founded, the first poetry slam series; it’s since been followed by a host of other slams, spoken word and reading series. The Storytellers’ Festival was reimagined and reborn last fall. And this winter the city’s first Storytelling Slam started up in the basement of the Mercury Lounge and has already needed to move upstairs, where there’s more space for its growing audience.

As the national capital, it’s sometimes seemed to me that Ottawa is of two minds about the arts. There are the international stars and events at the NAC and the National Gallery, the stadium concerts and big-ticket festivals, and then there is a local scene, which is creative, tight-knit, thriving, and beginning to get noticed. I’m really happy to participate in that local scene, as a performer, as a writer, and as an audience member: I blog on words in performance at freerangeprint.blogspot.com, perform with the Kymeras, a poetry/storytelling group, co-host CKCU’s Literary Landscape radio program, and hope to keep celebrating this town’s creativity and spirit.

Kate will be spending her free time this week taking in VERSefest, a new, annual poetry festival running until Sunday at the Arts Court.  Check back soon to here her thoughts on this sure-to-be-amazing celebration of spoken word.

‘Grounds for Break-up’ packs Raw Sugar

2 Dec

 

Photo Credit: Sarah Anderson

Shayla Brunet was born and raised in sleepy town North Bay, ON, and moved to Ottawa in 2008. She is a Journalism graduate and a third–year Mass Communications student at Carleton University. She is part of ‘Grounds for Break-Up’ and is an avid poetry reader/writer. Watch for her first published piece in Canada’s sex enthusiast’s magazine, The Moose and Pussy this February 2011.

The mood was chirpy and content last night at Ottawa’s favorite art café, Raw Sugar, when 13 poets from Carleton, calling themselves ‘Grounds for Break-Up’ filled the house. But contrary to the name , the poets weren’t a bunch of angst-ridden students crying over love. Although one poet, Fiona Mitchell, had a quote that fit in perfectly with the group name:

“You were always the rising action of my plot

but never the climax

Despite having given you the opportunity.”

Poems of charred-belly clouds, bird-baths, found art, and ekphrasis perked the brain and stirred potent mental soundscapes, sometimes haunting. Even though it was a first for many speaking at an open mic, their words rang witty and strong over the 50 audience members in attendance.  They covered some of the usual topics such as youth, sex, death, love, hate; in a new, twisted, humourous or skin-prickling way.

The group, led by well known poet and author, Sandra Ridley covered many different styles and genres. With each new assignment Ridley presented the class, she would tweak it and make it different. Ridley with her workshop taught the students how to punch up a piece with sharp sounds and living words, often bringing in guest speakers and even a funky sound poetry group.

Many of the students agreed that it was very important for an aspiring writer or poet to participate in a workshop, saying that workshops “Help take the ‘I’ out of poetry, and make the piece less like a diary, and rather a sturdy, relatable, great piece of work.”

Here is a quick list of the poets in attendance at last night’s event:

Luke Sullivan
Fiona Mitchell
Caitlin Cafaro
Adam Kveton
Adam Chenard
Liam Burke
Nick Brulotte
Catherine Lewis
Codi Fortin Lalonde
Andria Marie
Jenna Jarvis
Cassie Nykaforak
Shayla Brunet

Do you want to tell us a story of a great night out in Ottawa? Send us a note!

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