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Authors and Ashbury: Writers Fest starts with a showstopper

14 Sep

The Cat's Table is Michael Ondaatje's latest novel

Originally from Scotland, Helen Morris arrived in Ottawa almost six years ago. She loves being able to bike to work in the summer and skate along the Rideau Canal to the office in the winter. Other interests include dark chocolate and Wensleydale Cheese.

Michael Ondaatje (Photo credit: Beowulf Sheehan)

Most Ottawa International Writers Festival events I have been to tend to have audiences taken from an older demographic; not so last night’s fall opener with Canada’s celebrated novelist and poet Michael Ondaatje.

Though one of my table companions did speculate as to whether it was event host, novelist Joseph Boyden, who was responsible for pulling in the younger portion of the near capacity crowd.

Last night’s reading and question and answer session was held in a hall at Ashbury College. I have to agree with some audience members that the jury is still out as to whether this works as a Writers Festival venue. The hall has seating all on one level, along with some hefty pillars, making it hard to see the stage from some seats.

Venue aside, I was here to see Ondaatje. The last time I had heard him speak was a good few years ago at the Edinburgh Book Festival. I didn’t know much about him or his books then but came away from the event thinking what a great storyteller.

Last night, the audience were held spellbound as Ondaatje read from his new novel The Cat’s Table. For the most part, the novel takes place during a 21-day sea voyage from Ondaatje’s native Sri Lanka (then Ceylon) to England. The protagonist, an 11-year-old boy, is called Michael but Ondaatje says the novel is not autobiographical. While the author made a similar trip, he says he remembers little of his own voyage save for playing ping pong.

Moments into reading extracts from the book, Ondaatje had painted a vivid scene of life on board for the 11-year-old and two other children described by Ondaatje as a ‘real troublemaker’ and a ‘slighter troublemaker.’

The OIWF runs until Oct. 25

During the question period, Ondaatje explained that the characters were all made up and not based on real people as he wanted to create a fantastic story of this trip on a ship. He said that he does not have a clear idea of who a character is at the start of a book but says the details of the character start to emerge as he develops the plot. While the fixed location of the novel brings limitations, Ondaatje said it allowed him to populate the ship, giving him access to stories and areas he could not otherwise reach.

The author said that using the view point of an 11-year-old was perhaps why some found this book more accessible than a number of his other works.

Having not been on a long boat journey since childhood, two years into writing The Cat’s Table, Ondaatje took a ship from the U.S. to Europe. He said it was scary as an adult and when he sat down at a table for dinner he realised the characters from his novel were not there.

If you want to spend some time with Ondaatje’s troublemaker characters, I would highly recommend the Cat’s Table.

On a practical note if you are leaving Ashbury College after an event, don’t turn left out of the school if you are looking for the bus stop to take you back downtown. A left turn will take you along a very dark street with lots of construction and very large holes in the road … if you persevere and manage not to fall down aforementioned large holes you will eventually reach the bus stop.

I for one am glad my next Writers Festival event is being held at Knox Presbyterian downtown.

Thanks Helen! We’re also excited for the upcoming Writers Fest events. Check them all out here.

Local photography exhibition celebrates the musicians behind Bluesfest

15 Jul

Originally from Scotland, Helen Morris arrived in Ottawa almost six years ago. She loves being able to bike to work in the summer and skate along the Rideau Canal to the office in the winter. Other interests include dark chocolate and Wensleydale Cheese.

If you are heading down to Bluesfest tonight or tomorrow take a few moments to step out of the heat into the cool and peaceful Ottawa Studio Works on Preston and check out some stunning portraits of musicians past and present.

Harry Nowell

For more than a decade, Ottawa photographer, Harry Nowell has been a frequent visitor to the city’s Bluesfest and Jazz Festival. While the rest of us are immersed in the music and soaking up the atmosphere, Nowell is behind the camera and is so focused that he says he couldn’t even tell you which song was being played.

Last year, Nowell renovated an old rooming house on Preston and transformed it into a studio, exhibition and teaching space. In July, the crowds suddenly began to stream past the door and parking was at a premium. It was Bluesfest time. The onset of the outdoor music festival prompted Nowell to take a look back over a decade’s worth of music photos and pull together a retrospective of his work in time for this year’s Bluesfest.

Nowell's favourite photograph - Broken Social Scene (Photo: Harry Nowell)

While the musicians express themselves with their voices, Nowell aims to create a magical blend of light and vibrant colour in order to bring out the artists’ music as well as their personalities.

Ben Harper (Photo: Harry Nowell)

In the portraits, Ben Harper stands, fist raised, signalling the end of a song. Canada’s Feist appears utterly focussed on the music, her expression suggesting she is midway through a melancholy song. Nowell captures an altogether more mischievous look on the face of American bluegrass country singer and fiddler, Alison Krauss. He explains that it is his job to bring out the essence of the artist, whether that essence is glamorous or a bit scruffy.

The photographer’s own favourite is a picture of one of the members of Canadian indie rock band Broken Social Scene.

Also part of the exhibit, Nowell picked two photos of the American pianist Herbie Hancock. The first image shows him with a Fazioli piano, one which Nowell says was brought over from Toronto because “nothing in Ottawa would do.” The second photo has a very different tone, as Hancock speaks to the audience at Jazz Festival as the musicians on stage appear to listen intently.

Feist performing at a past year's Bluesfest (Photo: Harry Nowell)

A long way from his original degree in finance and economics, Nowell now works full-time as a professional photographer, something he says he loves. He also runs a range of camera skills workshops. He says it has been a long, hard road from his first photography job taking cheesy tourist photos at the top of Sunshine Village ski resort to now owning his own studio and running his own business. But Nowell is one of life’s enthusiasts and it is this enthusiasm and passion that comes out in his work.

Nowell is on hand tonight and tomorrow night from 5 to 8 p.m. in his gallery at 160 Preston St. The exhibition can also be seen by appointment until August 10, by contacting Nowell via email or phone (819-827-9460).

Interesting gallery find, Helen! We are definitely interested in seeing more of Harry’s stunning photography – will you be going to check out his exhibit over the next few days?  

Cirque du Soleil’s Quidam: A night of music, magic and super human feats of agility

29 Jun

Photo credit: cirquedusoleil.com

 

Originally from Scotland, Helen Morris arrived in Ottawa almost six years ago. She loves being able to bike to work in the summer and skate along the Rideau Canal to the office in the winter. Other interests include dark chocolate and Wensleydale Cheese.

The one and only time I have ever been to the circus before tonight I was three, maybe four years old.

I remember a tent, sand on the ground and fold-out wooden chairs, oh yes and being a bit worried that the animals didn’t look too impressed about being there. For the rest of my childhood I was happy doing acrobatics in the playground myself rather than watching someone else do them at the circus — and that all went pretty well apart from that one unfortunate incident which ended with rather a lot of blood and a trip to the sick kids hospital in Edinburgh and those fairly unpleasant stitches in my head.

No such mishaps befell the genius and artistry that is Cirque du Soleil.

Oh yes and the only animals at this circus are the human variety. The show blends music and acrobatics throwing in a bit of slapstick comedy for good measure. The Quidam show does have a basic storyline which you can follow through the show but it’s equally satisfying just to sit back and watch the spectacle.

Photo credit: cirquedusoleil.com

The acrobats were brilliant, from the guy spinning around in a cross between a ladder and a hamster wheel, to the woman elegantly contorting her way up and down a red curtain hung from the ceiling, to the god and goddess who displayed super-human strength and control. The skipping sequences were beautifully choreographed.

This was my first Cirque du Soleil but for my significant other, a veteran of five shows, this was the only one he had seen which was not staged in a tent. He said watching in the arena provides a different atmosphere and you do not always feel as close to the action, but equally there are no poles in the way to obscure your view.

This particular show has a fair bit of thunder and lightning. During Tuesday’s show a real live thunder storm was raging outside prompting the young man seated behind us to check with his mother that there was no real rain in the show and that we were not going to actually get wet. The show did not seem overly long but the kids behind us did get a little restless in the slower sections and towards the end of the night.

If you are of a nervous disposition I would recommend staying away from the floor seating. On the other hand if you enjoy the spotlight the front row may be just the place for you.

Photo credit: cirquedusoleil.com

My significant other had something else on right before the Cirque so I took the trusty OC Transpo special event bus service out to Scotiabank Place. It’s a bit of a trek but sitting in an air conditioned bus, plugged into your iPod, whizzing along the transit way is a pretty decent way to get out to the venue if you do not have access to a car. The same bus will take you back downtown 15 minutes after the end of the show.

Back to the circus, remind me again, why didn’t the school careers advisor suggest running away to the circus as a job option?

There was a reasonable crowd at Scotiabank Place for the show but it was far from packed.

If you are looking for a night of music, magic and super human feats of agility then the Cirque de Soleil Quidam show is in town until June 30th.

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